Miranda Russell is an artist who explores form and movement through confident, artistic gestures. We ask the regionally based artist about her approach, influences and home life.
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Miranda Russell: It’s essential to me that I am in the right headspace to create in the way that I do. Timing and mood are important to me. I sometimes leave great time gaps between works, but sometimes I will have a great rush of creativity. Having said that, I am in my studio each week, most days, and if not actively creating, I am looking at and thinking about my art.
I work with acrylic paint, oil pastel, charcoal, and sometimes markers. I enjoy using these materials on a variety of surfaces, such as large unstretched canvas, paper, and cardboard.
Aesthetic is important to me. The way things look and their impression in spaces is something that gives me great joy. I’m about to begin building a new home and I’m looking forward to playing with the space with my furniture and art.
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I enjoyed sketching when I was growing up, and in a way, I feel I have returned to this. I’ve experimented a lot and have enjoyed creating large colourfield paintings. However, I have found great contentment and freedom in gestural expression.
Being a working artist is all-consuming, with many aspects to consider. For me, it straddles pleasure and business. I’m very particular about what artworks get framed and hung. It’s important that the works are a genuine and true reflection of me.
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Inspiration comes from within. My works are an expression of me in my environment. However, I have always held a great love and passion for the Australian landscape. Having grown up in regional Australia, I suppose, influences me in ways I cannot quite pinpoint, but again I think it is largely aesthetic based.
I have a great love for trees and many people say that this love is evident in my expressions. I am also a romantic and a dreamer, and I think that this comes out in my artworks too.