Geoffrey Bawa

July 19, 2023

A Noosa home inspired by Geoffrey Bawa

This coastal home in Queensland by CLO Studios serves as an artful homage to its history, the natural environment, and the famed Sri Lankan architect Geoffrey Bawa.

May 10, 2018

International Style: A Reference Point For When East Met West

When International Style began making waves in Europe in the early 20th century, it didn’t take long to make its way down the globe into South East Asia. But the real magic happened at the crossing point between east and west.

August 14, 2014

Design Hunter Q + A: Oliver MacLatchy of Wood Melbourne

With the launch of Wood Melbourne earlier this year and a showroom opening in two weeks time, Oliver MacLatchy is in a local designer and maker we'll be keeping an eye on. We ask him a few questions to find out what makes him tick - aside from timber.

July 29, 2014

Regional architecture in this Sydney home designed by Arkhefield inspired by Geoffrey Bawa

In this lovely example of crossing cultural boundaries – the clients have combined Italian and Sri Lankan heritage – materiality and openness to the outdoors evoke the characteristic design traditions of these nations.

July 1, 2014

Design Hunter Q + A: Manel Daetz

Manel Daetz, creative director at Henry Corbett & Co., is a fan of Geoffrey Bawa, Papillonaire Bicycles and, not least, chocolate. She tells us about them all, and more.

April 16, 2014

Verandah Daze

Reveling in a seclusion that’s rare in Asia, Claughton House offers an intimate encounter with the ideas of master sensualist Geoffrey Bawa. By Melissa Rimac

January 30, 2014

Hidden House

Ever since Eugenie Mack was gifted a garden property complete with giant trees and lush foliage adjoining her parents’ home in a quiet residential part of bustling Colombo city, she dreamed of creating a home that could hide in this oasis.

December 6, 2011

Damansara House

This addition to a house in Damansara Heights outside Kulala Lumpur in Malaysia is by a small, young two-man practice, RT+Q Architects. For Joanne Goh it is a revealing example of how vernacular forms can be reinterpreted for contemporary purposes.