Gunn’s exhibition, ‘Re[as]semble’, builds on the artist’s extensive practice focusing strongly on her continued investigation into use of recycled materials. In reassembling and reconstructing the evidence of man’s occupation of urban and rural landscapes, Gunn transforms the wasteful products into elegant sculptural pieces.
The boundaries of logic are perceived in a new light as Lyndal Hargrave showcases her most recent deceptive and illusive sculptural constructions. By Leah Beardmore.
Matthew de Moiser’s latest series of two-dimensional works conflate the language of hard-edged abstraction and the formal qualities of modernist architecture with a quintessentially suburban, Australian ‘feel’.