With over 300 events planned, the eighth edition promises another marathon week of design and its theme is at once a proposition of hope and an urgent call-to-arms.
The curation of contemporary artworks at the 24th Biennale of Sydney explores the salient thematic of Australian culture, through a series histories, voices and perspectives.
The Adelaide Biennial of Australian Art returns to the Art Gallery of South Australia on Kaurna Yerta for its 18th edition in 2024.
The couple behind gallery Fox Jensen, Emma Fox and Andrew Jensen, have followed a similar path through life, with a certain sensibility running through both the artworks and artists their gallery represents. And indeed, the objects they choose to surround themselves with.
Yavuz Gallery foregrounds a cultural conversation with the unveiling of ‘Desert Songs’. The major exhibition by leading indigenous artist Vincent Namatjira OAM explores a vibrant narrative of personal histories through a series of bold and unapologetically political paintings.
Established in 2001, the Woollahra Small Sculpture Prize has had a home in recent years at the Woollahra Gallery at Redleaf. This year’s winner is Anita Johnson.
Showing as part of Sydney Contemporary 2023, Sophie Gannon Gallery will present the work of three rising stars in the art world – each very different explorations in practice yet unified by universal themes.
Sydney Contemporary is just around the corner, and we’re pleased as punch to be an official media partner for the 2023 edition. As a first look at what to expect, our editor-at-large Gillian Serisier outlines 12 must-see installations – plus Habitus readers receive a 25% discount on tickets!
Curated by France-based architects Lacaton & Vassal, ‘Living in the City’ runs at the Tin Sheds Gallery within the Sydney School of Architecture, Design and Planning until September 23.
Powerhouse has announced a bumper program for this year’s Sydney Design Week. Set to run 15-24 September, it features more than 60 events across the city.
“Waring has layered personal, social and cultural histories in these works. Many are titled with women’s names of an earlier era, a homage to the friends of Waring’s mother whom he remembers in their drinking and partying heyday; occasions where glasses were filled to the brim with colour and clinking to life,” Edward Waring draws on memory to create a colourful glass installations at Gallery Sally Dan-Cuthbert.
Marking its first showcase in Australia with a collection of works from contemporary designers, The Wrong Shop is putting on an exhibition hosted by Living Edge.