Tongue & Groove launch the two most popular timber board formats – Grande and Piccolo – in a new 2.9 metre length, giving interior designers and renovators the ability to achieve a more seamless and consistent finish.
Set against a busy arterial road in Singapore, Cove House by Ming Architects strategically blocks out the harsh surroundings.
Good things take time, attention to detail, technical know-how, and manual skill. This is something that Italian furniture manufacturer, SIPA, has understood, and embraced, since opening their doors in 1974.
Fourth generation furniture designer Jon Goulder has made a career out of pushing the envelope with materials and methods – and now, he has created bespoke ‘Innate’ collection for Spence & Lyda, features moody dark tones celebrating the use of Tasmanian Oak and Blackwood.
From visual appeal to environmental and health considerations, here’s all you need to know about getting that ‘wow factor’ for your floor.
Tongue n Groove won’t be beat when it comes to producing the best engineered timber on the market.
The design of RAW hair Salon, in Surry Hills, Sydney, is about texture and detail – just like the salon’s philosophy.
In celebration of Oak, here’s a selection of products and projects that feature this glorious timber.
The latest addition to Aesop’s family of international stores in Australia is in Adelaide. This one, created in collaboration with local firm Genesin Studio, is characteristically luxurious; sensuous in form and bathed in Blonde Tasmanian Oak. Words by Tess Ritchie.
Harper & Sandilands’ Pale Grey and Driftwood timber colours are beautiful. Composed of a French Oak timber top layer bonded on to an engineered base, they’re stable and – thanks to the French Oak – particularly warm.
Just the names Walnut and Oak conjure up beautiful images – warm tones, gentle grain and subtle variations of colour. They’re two timbers that need little dressing up, and should be celebrated simply as they are. ercol’s Svelto collection does just that.
offSET Shed House in Gisborne, by Irving Smith Jack Architects, demonstrates New Zealand’s affinity with coastal living and how the tradition of the bach is still alive. Words by Tess Ritchie.